The first movie Ari Aster is credited with directing, “Hereditary,” debuted in 2018 and obtained favorable reviews. It was a tumultuous protest of vision and strategy from a young filmmaker and his superb ensemble, and it was one of the most well-known examples of a contemporary horror response in mainstream movies.
There’s no reason to think that if you liked “Hereditary,” you’d be enthusiastic about more of the same terrifying type of movie. There is an extensive variety of challenging, frightening, and brightly aesthetic films available as well. Aster’s follow-up, “Midsommar,” starring Florence Pugh, is a must-see. Instead of just advising the most modern horror blockbusters, we’ve created a list of movies that either directly influenced “Hereditary” or share a startling amount of DNA with it. You should see these movies that are identical to “Hereditary,” which vary from the 1970s to the present, from country Korea to worlds beyond worlds, from horror to chill to “what the hell?”.
Suspiria (2018)
Few modern remakes have generated as much debate as the Hollywood version of Dario Argento’s classic “Suspiria,” which was released in 1977.
There is no questioning Argento’s original intellect and importance. It’s a spectacular anthology of maximalist production designs, and since it came out, it has saved its well-deserved legacy. There is a case to be made, too, for the idea that Luca Guadagnino’s “Call Me By Your Name” remake is placed on its own as a remarkably unsettling and more narratively rich version of the original hypothesis.
Several parts of the movie subvert its predecessor. The neon lighting, eerie rasps, and spooky guitar riffs of Goblin are no longer present. Thom Yorke from Radiohead wrote the music for this. The film’s protagonist Susie Bannion (Dakota Johnson) has just resettled from the United States to West Berlin in the 1970s, and Guadagnino’s color strategy consciously leans into the grim environment of the years. Susie journeys to Germany to take a role in an audition with the prestigious Markos Dance Company, directed by Madame Blanc (Tilda Swinton in one of three roles). Shortly, an evil plot is disclosed by weird happenings and hushed apprehensions of sorcery within the academy’s ranks.
The Wailing
The South Korean director Bong Joon-ho famously said, “Once you overwhelm the 1-inch-tall obstacle of subtitles, you will be instructed to so many more fantastic films,” in his approval speech at the 2020 Golden Globes after “Parasite” won the type for best foreign language image. He was very correct, and horror is not different.
Like “Hereditary,” “The Wailing” by Na Hong-jin is an extraordinary outcome of mystery and hysteria. In the 2016 movie, a Japanese stranger arrives in a rural Korean village, where his reality results in weird ailments and assertive behavior among the residents. While a regional police officer performs an inquiry, members of his own family are attracted to the increasingly odd and disconcerting plot.
Even though it’s an extremely lengthy horror film—just over two and a half hours—Hong-story jin never loses its mystery or tension. Straight up to the dramatic ending of the movie, you’ll be wondering where the fear is coming from. It is an excellent instance of Korean horror filmmaking at its best.
Ordinary People
You might be amazed by the additional movie Ari Aster cited as the source of “Hereditary” inspiration. This isn’t a scary movie.
Robert Redford is best known for his acting, which he has completed in films including “Butch Cassidy and the Sundance Kid,” “Sneakers,” and “All Is Lost,” among others. He might exactly be recognizable to youthful audiences as S.H.I.E.L.D. agency Alexander Pierce from “Captain America: The Winter Soldier.” But Redford is also a qualified director, as seen by his 1980 element film debut, “Ordinary People.”
“The film “Ordinary People” is a modification of the same-titled book by Judith Guest. While not a horrible movie, it deals with multiple of the exact psychological problems that “Hereditary” centers about. Mary Tyler Moore also sets a great rendition that differs from her past as a comic television actress. It’s intelligible why the flick won four of its six nominations—including best picture and best director—at the 53rd Academy Awards.
Lake Mungo
It’s a little bit of a private glory, Lake Mungo. Joel Anderson, who produced one of the earliest pieces of modern horror, only directed this Australian faux documentary that was released in 2008.
“Lake Mungo,” a film made out of interviews, found footage, and archive material, illustrates the story of Alice Palmer, a 16-year-old who drenches unintentionally while on holiday with her family. Strange occurrences in the family’s home begin a tale that brings several mind-blowing twists while the family attempts to move on with their lives. The documentary format is operated to chill watchers long after the end praises have rolled.
While not as famous as “Hereditary,” the movie nonetheless appreciates fans following internet horror communities. Even terrifying executives like Rob Savage (“Host”), Justin Benson, and Aaron Moorhead (“Synchronic,” “Moon Knight”) provided it their stamp of permission, speaking of its legacy and impact in the film’s re-release by UK distributor Second Sight in 2022.
“The Night House
For serious horror lovers, the name David Bruckner might be known. He is the qualified director behind movies like “The Ritual” (2017) and the “Amateur Night” segment of “V/H/S.” He was even a role of many newly shelved “Friday the 13th” reboots scheduled by Paramount Pictures.
Beth, a distraught widow trying to retain her serenity in the path of her husband’s tragic suicide, is characterized by Rebecca Hall. Not only has he left behind the tragedy, but also a strange anthology of anomalies, containing a bizarre, threatening letter to Beth and confused floor plans for their home.
As Beth obeys the threads, she comes to think that there was an excess more to her late husband’s life than she had ever visualized. As an outcome, she discovers herself as the target of an extraterrestrial story. Beth is played by Hall brilliantly as normal, and Bruckner’s inventive use of camera stance builds horrors that go beyond the standard. It’s a strange and thoughtful flick that works well as a dual factor with “Hereditary.”
Kill List
If you want to watch strange and skillfully made genre flicks, check for the British director Ben Wheatley. Since his 2009 movie debut, “Down Terrace,” Wheatley has directed nine full-length elements. He has operated in a mixture of genres, containing action comedy, occult horror, and crime drama. “Death List,” Wheatley’s most thoughtful movie from 2011, cleverly and successfully combines those genres. The tale gives you an experience like “hereditary”.
Retired British fighter Jay, played by Neil Maskell, has resigned to begin a new life with his wife and children. To enhance the family’s monetary position, Jay unwillingly receives one last task with his retired partner, Gal (Michael Smiley), who is still haunted by an unidentified but terrible mission in Kyiv, Ukraine.
An intense and fierce assassination thriller that begins out and evolves into a much more atmospheric, terrifying occult conspiracy movie. The same as “Hereditary,” “Kill List” avoids offering too much away. Its darker genre elements emerge gradually and sinisterly. So we can say that it is almost like Hereditary.